HOPKINS CENTER FOR THE ARTSHERITAGE INTERPRETATION
London UK based Projection artist Ross Ashton was commissioned by Dartmouth College in Hanover, New Hampshire, NY State to produce an exclusive 3d video mapped show celebrating the 50th anniversary of its high profile Hopkins Centre for the Arts. Ashton took a brief from the College’s Organising Committee who discussed what they wanted, and a student committee was also invited to present ideas that could be included. From there, he originated the concept for the 13 minute work. “It was really important to make it an all-inclusive piece and to emphasise the hugely diverse traditional and contemporary performance programmes for which the Hopkins Centre is renowned, as well as the reputation of Dartmouth as a liberal arts university,” explains Ashton.
Giant images were projected on to the magnificent front façade of the Hopkins Centre, which was designed by architect Wallace Harrison and opened in 1962. Ashton asked UK-based sound artist Howie Saunders – whose cinematic credits include The Matrix – on-board to compose a special sound-track. The projection equipment was two Christie HD18 projectors, overlaid and located in a special hide positioned 17.5 metres from the front of the building. Ashton worked closely on site with Hopkins Centre Production Manager Todd Campbell, audio technician Doug Phoenix and video tech Will Cleveland and they also hired carpenter Donald Winams. The Watchout show control system was programmed by Karen Monid.
Ashton comments, “It was an amazing opportunity to work with one of the most prominent educational institutions in the USA. The building is architecturally exciting, and compiling the storyboard and artwork was very interesting”.
NORTHERN LIGHTS – tickets for York Minster on sale now!
Tickets for the immersive projection spectacular NORTHERN LIGHTS have gone on sale. See York Minster in a new light this autumn as the awe-inspiring Northern Lights returns by popular demand. The sound and light installation, which debuted to sell-out audiences in...
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